WASHINGTON, DC -- Hubbard Radio President and CEO Bruce Reese testified at the House Judiciary Subcommittee on Intellectual Property, Competition and the Internet hearing on "Music Licensing Part One: Legislation in the 112th Congress" on November 28.
Below is a transcript of his testimony as prepared for delivery.
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Good morning Chairman Goodlatte, Ranking Member Watt and members of the Subcommittee. My name is Bruce Reese and I am President and CEO of Hubbard Radio. Hubbard operates 20 radio stations in five markets, including WTOP here in Washington, DC. I have worked in the broadcast industry for more than 30 years, and I am testifying today on behalf of the National Association of Broadcasters.
Local broadcast radio is unique among music delivery platforms because it is always on, it is always free, and it is accessible to listeners in every local community across the country. There are now more than 14,000 local radio stations in the United States. With a growing audience, over 240 million people listen to radio every week, including those in communities that are under-served by other communications platforms. Local radio is responsible for hundreds of thousands of American jobs and has been shown time and time again to be a lifeline during times of emergency.
What makes broadcast radio so successful is the local flavor of our programming, which forges a unique connection with listeners in a way that other media do not. In a constant cycle of new technology, broadcast AM and FM radio has remained part of the fabric of American culture for more than 90 years.
The Internet presents an enormous opportunity for broadcasters to expand both the reach and scope of locally-based services, including access to archived station materials, information about artists, and the ability to buy albums or concert tickets. Unfortunately, today many radio stations still do not stream their music over the web, which does not help broadcasters or artists.
There is one primary reason for the low adoption of Internet streaming by broadcasters – unaffordable royalty rates. For music-based radio stations, the advertising revenue simply does not cover the streaming costs. Further, no matter how popular your Internet service becomes, the cost curve never bends in a favorable direction.
At Hubbard we pay these high rates to stream our stations over the web because we believe our listeners expect us to be there. But in our best years, we do no better than break even in our music webcasting business. We are fortunate to operate in large markets and to have the financial ability to make that long-term investment. This is either a luxury that many of my industry peers do not have, or a risk they are unwilling to take. Whatever the reason, the majority of broadcast radio stations, and the local services they provide, remain outside the reach of Internet listeners.
So how did we get here? When initially set in 2007 and then built upon in 2009, the rates set by the Copyright Royalty Board were universally decried as being outrageously high. Four problems at the CRB contribute most significantly to these high royalties. First, the “willing buyer – willing seller” rate standard provides the judges with no explicit guidance on how to determine a fair market value. Second, the process by which the parties present evidence of a fair market rate to the CRB is insufficient. Third, the CRB appointment and rate setting processes do not afford adequate congressional oversight, allowing these rate decisions to proceed essentially unchecked. And fourth, the CRB process itself is riddled with uncertainty. It is telling that when NAB made our latest offer to the musicFIRST coalition during the last Congress, our members’ top priority was to escape the total unpredictability of the CRB proceedings.
We are here today to begin a dialogue with this Subcommittee on how best to address these problems. NAB has members who are very supportive of the bill introduced by Congressmen Chaffetz and Polis. Other members are still seeking a better understanding of how the bill would impact their businesses. So while NAB has not yet endorsed any specific legislative approach, it is fair to say that NAB supports congressional efforts to ensure fair webcasting rates and needed CRB process reforms.
This important discussion over how best to encourage the growth of Internet radio must not be bogged down by past fights over the controversial “performance rights” bills. Recent deals between individual broadcasters and record labels have included fees for AM/FM airplay. This reinforces our belief that this is an issue best addressed through private marketplace agreements. NAB continues to oppose an industry-wide government mandate. Regardless of your position on the performance fee issue, Congress can and should act to resolve the important webcasting rate-making problems. The alternative – inaction – risks stifling the growth of Internet radio to the detriment of broadcasters, listeners and artists.
Thank you and I look forward to answering your questions.
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About NAB
The National Association of Broadcasters is the premier advocacy association for America's broadcasters. NAB advances radio and television interests in legislative, regulatory and public affairs. Through advocacy, education and innovation, NAB enables broadcasters to best serve their communities, strengthen their businesses and seize new opportunities in the digital age. Learn more at www.nab.org.
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