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Delivering
the Best HD Radio Experience
During
the Engineering Program portion of last months Radio
Show, Broadcast Traffic Consortium President (and Emmis Senior
VP) Paul Brenner spoke about building and supporting data applications
to be transmitted over HD Radio signals. Paul concluded his talk
by emphasizing that for data applications to be successful in the
marketplace, the radio industry needs to deliver a high-quality
and consistent HD Radio experience across all stations, markets
and groups.
To that end,
the HD Radio Alliance
has formed an
HD Radio Technical Standards Task Force with the goal
of identifying exactly what HD Radio broadcasters need to do to
help deliver the kind of consistent experience needed to make HD
Radio audio and data services as successful and competitive as they
can be. Paul is co-chairing this Task Force along with CBS Senior
VP Glynn Walden, and their group is composed of leading engineering
executives from the HD Radio Alliance membership.
With the support
of the HD Radio Alliance, iBiquity
Digital Corporation and NAB, the Task Force has identified eight
operational priorities all digital radio broadcasters should strive
to address. The Task Force members believe that by implementing
these procedures and services on all HD Radio stations, the industry
will be able to ensure a high-quality and consistent listener experience
across all stations, markets and groups. Here is a brief summary
of these eight items (click on the hyperlinks for more detailed
information about each):
Digital
power increase
FM band HD Radio stations should take advantage of whatever
digital power increase is possible without exceeding the NRSC-5 out-of-band
emissions mask for HD Radio operation. A number of methods and options
for doing this are identified by the Task Force, depending upon the
configuration of the transmission facility:
For separate antennas: increase the power output of the
digital transmitter, being aware that the transmission line and/or
antenna my need to be upgraded to handle the additional power; increase
the number of antenna bays to increase the antenna gain factor;
For low-power combining: increase the digital exciter/exgine
drive power;
For high-power combining: a new digital transmitter may
be needed, which may necessitate electrical service and building
cooling upgrades and a higher power dummy load; asymmetric sideband
technology can be employed to independently adjust sideband levels
in order to maximize sideband power for a given protection ratio
(this capability will be integrated in iBiquitys latest transmit
software release v4.4. This feature has not yet been approved by
the FCC; however stations may begin to implement it under experimental
authorization).
Time
and level alignment proper time alignment of the
main channel analog and digital audio signals is necessary as the
HD Radio receiver transitions or blends from the main channel analog
to the digital audio when first tuned to a station, or at the edge
of the digital signal coverage where the receiver will blend back
to the analog signal. Alignment requires the main analog audio signal
to be delayed approximately 8 seconds to match the digital audios
time delay. The audio levels between the two audio streams must
also be matched so there is a smooth transition when the receiver
blending occurs. When the audio delay and level are set correctly,
the blend between the analog and digital streams is seamless.
Complete
and accurate SIS Station Information Services (SIS)
data provides basic information about the station such as call sign,
as well as information not displayable to the consumer such as the
station identification number. Broadcasters should ensure that the
SIS data broadcast are accurate and complete. The SIS information
is, in general, common to all programs, since it originates at the
exciter/exporter, whether or not the broadcast system includes an
importer for SPS programs. Refer to the NRSC-5 reference document
SY_IDD_1020s
for further details.
Dynamic
Program Service Data (PSD) - Program Service Data (PSD)
is an important component of the HD Radio listener experience and
should be sent for each song that is played. Dynamic PSD
is PSD that changes with every song. With Dynamic PSD, the specific
Song Title and Artist information is displayed related to the song
being currently played. Accurate display of the PSD fields for the
main program (HD1) as well as all the multicast (HD2, HD3, etc.)
programs is important so that songs are clearly identified for the
listener and may be tagged properly for later purchase through the
iTunes Tagging feature. According to the Task Force web page, there
are various studio automation vendors that support the implementation
of dynamic PSD such as ENCO Systems, RCS, TRE, Arctic Palm and WireReady.
iTunes
tagging support the iTunes Tagging feature allows
a listener to identify a particular song on a HD Radio broadcast.
iTunes Tagging data should be sent for every song played. When a
song is tagged by the listener, a token is stored in the receiver
and the listener may later purchase the song through the iTunes
music store. Much of the information required for tagging is already
sent in the PSD and the SIS data fields. In addition the product
codes are sent in the UFID fields contained within the ID3 tags
of the PSD data.
For iTunes
tagging to work, the Song Title and Artist information must be populated
in the correct fields by the studio automation system. PSD messages
must arrive at the broadcast equipment within 0.5s of each new segment
or song, and only one PSD message should be received per audio segment
or song.
Artist
Experience - Artist Experience is the synchronous transmission,
delivery and display of images on the receiver related to the specific
audio segment, and should be implemented by all HD Radio broadcasters.
The photo at right illustrates an example of an Artist Experience
image (cover art) which was being broadcast over Chicago station
WNUA-FM (95.5 MHz) during the Radio Show.
Artist Experience
images may also include artist photos, slide shows or other images
related to the song or audio being played. Commercial images related
to an advertisement segment can also be displayed using this feature.
The image is displayed in a tightly synchronized fashion with the
song or audio being played and displayed. If the Cover Art or primary
image is unavailable, the station logo (see below) or other default
image should be displayed on the receiver. Contact iBiquity for
further details on the analysis for bandwidth requirements to support
the Artist Experience.
Station
logo service
transmission of station logos is supported by the iBiquity Artist
Experience feature which should be implemented by all HD Radio
broadcasters. Station logos are images that are not synchronized
with the audio. The station logo image is not expected to change
very often see photo at right for an example of a station
logo which was being broadcast over Chicago station WNUA-FM (95.5
MHz) during the Radio Show. Station logo images should be stored
automatically in non-volatile memory on the receiver for quick display
and a better user experience. HD-1, HD-2, etc. can all have separate
station logo images. This enhances the ability of each program to
have its own unique personality. Station logos:
are nominally
a 200x200 image and have file sizes not exceeding 24 kbytes;
should be
displayed when the song album art is unavailable;
should be
designed for receiver display on a black or dark grey background.
High-quality
multicast engineering - multicasting is the ability for
an HD Radio-capable FM station to broadcast additional audio programming
(called Supplemental Program Service or SPS) simultaneously with
the main audio program service (called Main Program Service or MPS).
The configuration of the various multicast channels can be set by
the broadcaster to support various program formats. There is currently
no multicasting available for AM band HD Radio stations. It is recommended
that no more than 3 multicast channels (HD2, HD3, HD4) be broadcast
in addition to the main analog service (HD1). Broadcasters who are
part of a HD Radio data services network, such as the Broadcaster
Traffic Consortium (BTC) or the Total
Traffic Network (TTN) should consult service provider documentation
to ensure bandwidth allocations comply with the applicable data
providers requirements.
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